Ren wrote:I was at this masterclass last week, and an old student of my prof was giving a lecture on "Tone Hole Acoustics."
I don't think this will ever actually be a comic, but I thought I might post it here, just for fun.
I find it to be sad that no one in the room had seen "Office Space" and so I was sitting there dying of laughter on the inside every time Brian said anything about FLAIR.
I also wish I could've illustrated his hand movements better. I swear it was like dancing.
What does this alleged undercutting in the tone hole supposedly do to the sound? And why donâ€™t they just ask someone who makes oboes if they actually â€œundercutâ€